The members of Led Zeppelin are major deities in the pantheon of rock gods. The first and heaviest of the heavy metal monsters, they violently shook the foundations of rock music and took no prisoners on the road. Their tours were legendary, their lives were exalted—and in an era well known for sex and drugs, the mighty Zeppelin set an unattainable standard of excess and mythos for any band that tried to follow them. They were power, they were fantasy, they were black magic. No band ever flew as high as Led Zeppelin or suffered so disastrous a fall. And only some of them lived to tell the tale.

Hammer of the Gods is the New York Times bestselling epic saga of the hard reign of Page, Plant, Jones, and Bonham—a spellbinding, electrifying, no-holds-barred classic of rock 'n' roll history that has now been updated to include the continuing adventures of the band.

But from the mid '70s onwards, a dark cloud followed the band. From Robert Plant's near fatal car accident in 1975 and his son's death in 1977, Page's descent into heroin addiction in 1976, and ultimately Bonham's fatal vodka binge in September, 1980, the Zeppelin saga certainly has a tragic side.

This book is fairly uneven in that Davis documents Zeppelin's timeline fairly meticulously until 1975, and then he seems to be rushing to get to the end. He also fails to acknowledge that Zeppelin became an erratic live act from 1977 onward due to the deteriorating health of Page and Bonham. Davis would have you believe that in spite of the excessive substance abuse, Zeppelin remained in top form, and there is plenty of recorded evidence to refute that. Having Richard Cole as a primary source tends to undercut the credibility of the book as well. That said, it is obvious that Davis certainly respects Zeppelin's musical accomplishments, and ultimately that is the point. Zeppelin may have overindulged, but the music is what the band will be remembered for.

29 of 31 found the following review helpful:


Good Zep Read - even despite inaccuracies  Apr 15, 2004 By G. YEO "gyeo"
Stephen Davis isn't a Zep expert, but this book was spot on in its release at a time when Zep didn't exist anymore back in the mid-80s. I remembered reading it and going wow! This is Led Zeppelin! It is a fun read, but take it with a pinch of salt...much of it is attributed to Richard Cole. The book has never been endorsed by the band, but it's the stuff of what legends are made of. Even Plant admitted in a Musician interview that he didn't much remember what went on in the seventies...if even a portion of what's written here is true - then it makes sense why!

This book did much to promote the legend and legacy of Zep - warts and all...

26 of 29 found the following review helpful:


Don't read while on the toilet . . .  Mar 10, 1998
An awesome book. Stephen Davis's unauthorized biography of the 70's biggest rock band displays both his wonderful storytelling style (and ability to fudge the truth) and just how great and weird a band Led Zep was. After reading this book, you'll get the picture why Zeppelin still to this day has an unmatched aura of chaos and mystery that is genuine and not cheesy in the way that many current bands try to project a fake and corny image (i.e. Metallica). Even Robert Plant has said the book has done much to enhance the band's legacy. One flaw of the latest edition of "Hammer" is that the new chapter takes away from the books previous ending (the classic Plant quote that ends the Live-Aid chapter). Still, this book covers all the bases from the inspiration for their songs ("Trampled Underfoot" was a takeoff of Stevie Wonder's "Superstition") to the infamous hijinx and backstage debauchery (a drunken Bonzo taking the mike at a Deep Purple concert and announcing to the audience that the guitarist "can't play for %#@!") that made Zep the nightmare of inn keepers around the globe.

15 of 17 found the following review helpful:


Don't expect too much from this fun read  Feb 09, 2004
This book is extremely well researched and contains an incredible amount of detail about the band and its members.

Its weakness, and it's a big one, is that the author gives the reader little sense of perspective or narrative comment. It reads like this: "This happened. Then this happened. And then this happened, then this..."

While it would be a mistake to try and tell readers what to think, this account goes so far in the opposite direction that despite all of the wild and often abusive exploits of these musicians, it reads in the bland way newspaper stories often do. So much more could have been done with the material and while the author occasionally dabbles in the style of Tom Wolfe, not much is holding the narrative together except the paper the words are printed on.

Oddly, the very end of the book contains some wondeful writing that surprisingly appears only there.

7 of 7 found the following review helpful:


THESE GUYS WERE TAPPED!  Apr 17, 2002 By Matt
You won't believe how nuts these guys were! As a matter of fact, I'm not sure I believe these stories at all. Plant, Page and especially Bonzo may have been good musicians but come across as dispicable human beings who should have been kept in cages while not on stage. Only Jones is depicted as a true professional. All in all, an entertaining read. Ones has to question the validity of the stories though.

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