Mickey Hart's Mystery Box

Artist	Mickey Hart
Format	CD
Genre	Rock
Label Name	Rykodisc
Producer	Mickey Hart, Robin Miller, Robin Millar
Release Date	1996 06 11
Run Time	54:07
Song List	1: Where Love Goes (Sito) (5:27) 2: Full Steam Ahead (5:17) 3: Down the Road (6:00) 4: The Sandman (4:09) 5: The Next Step (5:24) 6: Look Away (5:58) 7: Only the Strange Remain (6:25) 8: Sangre de Cristo (4:15) 9: John Cage Is Dead (6:02) 10: The Last Song (5:15) 18: Where Love Goes [Sito][*] (5:25)
Style.Categories	Experimental Rock, Pop/Rock, Worldbeat

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After the passing of Grateful Dead guitarist Jerry Garcia and the venerable band's demise, it was percussionist Mickey Hart who proved to be the most creatively resilient. As Deadheads and appreciators of world music can attest, Hart -- who is also an author and learned ethnomusicologist -- has been fusing genres ever since his debut release, 1972's Rolling Thunder, which included Native American sounds and motifs along with rock and jazz. Mickey Hart's Mystery Box harks back to that project with his first album of pop-oriented material in nearly a quarter-century. He combines the seemingly disparate world of percussion-based rhythms with traditional "Western-style" structures containing lyrics by Grateful Dead wordsmith Robert Hunter. All the more diverse are the contributions of the Mint Juleps. This female vocal sextet features siblings Debbie Charles, Elizabeth Charles, Marcia Charles, and Sandra Charles as well as Julie Isaac and Debbie Longworth. Collectively, their paradisaical harmonies support Hart's occasional leads, while they're effectively incorporated as primary participants on the infectious groove of the opener, "Where Love Goes (Sito)," and the new wave vibe of "Full Steam Ahead," which is reminiscent of Talking Heads and Tom Tom Club. The Hart-sung "Down the Road" offers a nod to the late Garcia and provides a focal point for Hunter's obviously heartfelt tribute. "Only the Strange Remain" resembles something similar to a latter-era Dead song, bringing to mind "West L.A. Fadeaway" and "Days Between," both in terms of Hunter's piercing insight and a practically tangible noir feeling permeating throughout. The bombastic "John Cage Is Dead" is a masterful amalgam of percussive-heavy world beats in an undulating modern context. "The Last Song" is an apt conclusion as cultures once again collide, yielding a tune that wouldn't have sounded out of place on urban contemporary radio. As the name of this 1996 release suggests, Mickey Hart's Mystery Box has a little something for every taste and reinforces the Grateful Dead adage "Once in a while you get shown the light, in the strangest of places if you look at it right." ~ Lindsay Planer, All Music Guide