Misplaced Childhood

Artist	Marillion
Format	CD
Genre	Rock
Label Name	Proper Us
Producer	Chris Kimsey
Release Date	2001 10 23
Run Time	102:26
Song List	1: Pseudo Silk Kimono (2:13) 2: Kayleigh (3:54) 3: Lavender (2:33) 4: Bitter Suite/Brief Encounter/Lost Weekend/Blue Angel (7:53) 5: Heart of Lothian/Wide Boy/Curtain Call (4:08) 6: Waterhole [Expresso Bongo] (2:07) 7: Lords of the Backstage (1:57) 8: Blind Curve/Vocal Under a Bloodkight/Pssing ... (9:29) 9: Childhoods End? (4:32) 10: White Feather (2:23) 11: Lady Nina (5:49) 12: Freaks (4:07) 13: Kayleigh [Alternative Mix] (4:04) 14: Lavender Blue (4:23) 15: Heart of Lothian [Extended Mix] (5:53) 16: Pseudo Silk Kimono [#] (2:08) 17: Kayleigh [#] (4:11) 18: Lavender [#] (2:32) 19: Bitter Suite/Brief Encounter/Lost Weekend [#] (2:56) 20: Lords of the Backstage [#] (1:48) 21: Blue Angel [#] (1:45) 22: Misplaced Rendezvous [#] (1:21) 23: Heart of Lothian/Wide Boy/Curtain Call [#] (4:25) 24: Waterhole [Expresso Bongo][#] (1:52) 25: Passing Strangers/Mylo/Perimeter Walk/Threshold [#] (9:25) 26: Childhoods End? [#] (2:22) 27: White Feather [#] (2:16)
Style.Categories	Neo-Prog, Prog-Rock/Art Rock, Hard Rock

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After the album-tour-album cycle of Script for a Jester's Tear, Fugazi, and the subsequent Euro-only release of Real to Reel, Marillion retreated to Berlin's Hansa Ton Studios with Rolling Stones producer Chris Kimsey to work on their next opus. Armed with a handful of lyrics born out of a self-confessed acid trip, Fish came up with the elaborate concept for 1985's Misplaced Childhood. Touching upon his early childhood experiences and his inability to deal with a slew of bad breakups exacerbated by a never-ending series of rock star-type "indulgences," Misplaced Childhood would prove to be not only the band's most accomplished release to date, but also its most streamlined. Initial record company skepticism over the band's decision to forge ahead with a '70s-style prog rock opus split into two halves (sides one and two) quickly evaporated as Marillion delivered its two most commercial singles ever: "Kayleigh" and "Lavender." With its lush production and punchy mix, the album went on to become the band's greatest commercial triumph, especially in Europe where they would rise from theater attraction to bona fide stadium royalty. The subsequent U.S. success of "Kayleigh" would also see Marillion returning to the States for a difficult tour as Rush's support act. In 1999, EMI/Sanctuary re-released a remastered version of the album, featuring a bonus disc of oddities including live fave "Freaks," the previously unreleased "Blue Angel," alternate takes of "Kayleigh" and "Heart of Lothian," and Misplaced Childhood's actual demos. ~ John Franck, All Music Guide